FILTER RESULTS
by Artist
by Object Type
Drawer
195720th Century
30 3/4 x 30 3/4 x 2 in. (78.11 x 78.11 x 5.08 cm)
Jasper Johns (Augusta, Georgia, 1930 - )
Object Type:
Painting
Medium and Support:
Encaustic and assemblage on canvas
Credit Line:
Gevirtz-Mnuchin Purchase Fund
Accession Number:
1962.133
Exhibition List
This object was included in the following exhibitions:
- New Directions in American Painting the Poses Institute of Fine Arts, and Rose Art Museum, Brandeis University , 12/1/1963 - 12/6/1964
- The New American Realism , 2/18/1965 - 4/4/1965
- Exchange Exhibition, Exhibition Exchange Rose Art Museum and Rhode Island School of Design , 2/15/1967 - 3/31/1967
- The Disapperance and Reappearance of the Image , 11/1/1968 - 12/31/1969
- The Rose Art Museum Collection, Brandeis University at New Hampshire, , 4/14/1969 - 5/5/1969
- Gene Swenson: Retrospective for a Critic , 10/24/1971 - 12/5/1971
- Exhibition of American Paintings of the 1960s from the Rose Art Museum, Brandeis University , 9/14/1972 - 10/8/1972
- Action and Reaction: Contemporary Trends in Paintings and Sculpture Rose Art Museum , 9/12/1976 - 10/24/1976
- Jasper Johns , 10/18/1977 - 1/22/1978
- Modern and Contemporary Masters from the Permanent Collection Rose Art Museum , 9/10/1978 - 10/29/1978
- Selections from the Permanent Collection Rose Art Museum , 9/7/1980 - 10/26/1980
- Permanent Collection Rose Art Museum , 3/15/1981 - 4/26/1981
- Permanent Collection Rose Art Museum , 1/24/1982 - 3/7/1982
- Selections from the Rose Art Museum , 4/6/1983 - 4/30/1983
- The Permanent Collection: Featuring New Acquisitions Rose Art Museum , 11/6/1983 - 12/18/1983
- The Color of Time, Video Sculpture by Nam June Paik Rose Art Museum , 9/6/1984 - 10/14/1984
- 25th Anniversary Exhibition: Selected 20th Century Paintings Rose Art Museum , 9/28/1986 - 11/2/1986
- Postwar Paintings from Brandeis University Art Museum Association of America , 1/16/1987 - 6/12/1988
- Selections from the Permanent Collection Rose Art Museum , 11/4/1988 - 12/18/1988
- Selections from the Permanent Collection Rose Art Museum , 8/27/1989 - 10/22/1989
- Selections from the Permanent Collection (The Hand that Rocks the Cradle) Rose Art Museum , 1/21/1990 - 2/25/1990
- Collection Notes: Selections from the Permanent Collection , 1/27/1991 - 3/3/1991
- Selections from the Permanent Collection: Sonata with Grahame Weinbren Rose Art Museum , 11/21/1991 - 1/5/1992
- Hand-Painted Pop: American Art in Transition, 1955-62 Museum of Contemporary Art, Los Angeles , 12/6/1992 - 10/3/1993
- Neo-Dada American Federation of Arts , 10/5/1995 - 12/3/1995
- Jasper Johns , 10/16/1996 - 1/14/1997
- Alchemies of the Sixties: from the Rose Art Museum Permanent Collection Rose Art Museum , 9/7/1999 - 10/17/1999
- A Defining Generation: Then and Now, 1961 and 2001 Rose Art Museum , 2/16/2001 - 12/9/2001
- Cezanne and Beyond , 2/26/2009 - 5/3/2009
- The Rose at Brandeis: Works from the Collection , 10/29/2009 - 6/20/2010
- Regarding Painting Rose Art Museum , 10/7/2010 - 6/12/2011
- Collecting Stories , 10/27/2011 - 12/9/2012
- On the matter of abstraction (figs. A & B) Rose Art Museum , 2/13/2013 - 6/9/2013
- Into Form: The Rose Collection, 1957-2018 Rose Art Museum , 6/22/2019 - 1/5/2020
Bibliography List
This object has the following bibliographic references:
-
Leo Steinberg.
Encounters with Rauschenberg: A Lavishly Illustrated Lecture
Menil Collection, University of Chicago Press.
Houston and Chicago, 2000
Page Number: 14, Figure Number: Plate 11 -
Joseph D. Ketner, II
and Sam Hunter.
A Defining Generation: Then and Now, 1961 and 2001
Rose Art Museum.
Waltham, MA, 2001
Page Number: 25 -
Joseph J. Rishel
and Katherine Sachs.
Cezanne and Beyond
Publishing Department of the Philadelphia Museum of Art.
Philadelphia, PA, 2009
Page Number: 466, back cover; 150, 390, 467, 538, Figure Number: pl 175 -
Carl Belz
and Beth Goldberg.
Postwar Paintings from Brandeis University
The Art Museum Association of America.
1987
Page Number: 18, Figure Number: 5 -
Georges Boudaille.
Jasper Johns
Ediciones Polígrafa.
1989
Figure Number: 9 -
Marjorie Welish.
"When Is a Door Not a Door?", Art Journal
College Art Association.
Spring 1991
Page Number: 50, Figure Number: 3 - Jeffrey S. Weiss and John Elderfield. Jasper Johns: an allegory of painting, 1955-1965 National Gallery of Art. 2007
-
Kirk Varnedoe.
Jasper Johns: A Retrospective
The Museum of Modern Art.
New York, 1996
Page Number: 145, Figure Number: 22 - The New American Realism Worcester Art Museum. 1965
- Nicole Dubreuil-Blondin. La fonction critique dans le pop art américain Presses de l'Université de Montréal. Montréal, Qué., 1980
-
Irving Sandler.
The New York School: the Painters and Sculptors of the Fifties
Harper & Row.
New York, 1978
Page Number: 183, 192, Figure Number: pl. 142 -
Leo Steinberg.
Other Criteria: Confrontations with Twentieth-Century Art
Oxford University Press.
New York, 1972
Page Number: 37, 48, Figure Number: 8 -
Alan R. Solomon.
Jasper Johns
Jewish Museum.
New York, 1964
Page Number: 10 - Jasper Johns Whitney Museum of Art. 1977
-
Gene Swenson: Retrospective for a Critic
University of Kansas Museum of Art.
1971
Page Number: 102, Figure Number: 12 -
and .
The Rose Art Museum Collection, Brandeis University at New Hampshire, Scudder Gallery, Paul Creative Arts Center, April 14-May 5.
The Gallery.
Durham, NH, 1969
Page Number: Cover, , Figure Number: 15 -
and .
Exchange Exhibition, Exhibition Exchange
1967
Figure Number: 45 -
New Directions in American Painting
The Poses Institute of Fine Arts, Brandeis University.
1963
Figure Number: 21 -
Carlos Basualdo
and Scott Rothkopf.
Jasper Johns: Mind / Mirror
Yale University Press.
2021
Page Number: 31, 38, 173, Figure Number: 38 -
John T. Kirk.
“Our Evolving Understanding of Untouched Furniture Surfaces,” The Magazine Antiques
Brant Publication Inc..
October 2000
Page Number: ill. 535; 534-541, Figure Number: pl. II
Portfolio List
Click a portfolio name to view all the objects in that portfolio
This object is a member of the following portfolios:
Your current search criteria is: Exhibition is "The Rose Art Museum Collection, Brandeis University at New Hampshire,".
The information provided on this work may change as the result of ongoing research.
View our copyright statement.